In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Experimenting with Clay Models 1
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Also, I feel that making some clay models before going concrete is a good idea.
So headed to the ceramics department yesterday and had the greatest afternoon,
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
As I started to develop doubts whether I would achieve the effect I'm after with my layering method in concrete, I decided to run those tests in clay as shown in the previous post: https://sandraholleart.blogspot.com/2021/04/showing-link-between-ceramics-and.html The fired results led me to making some domed pieces that I can see as sitting forms or wall pieces. Here are some documented steps along the way until I had some very rewarding, silky smooth results. For the pattern to be inlayed in a different colour, I used a mould from a previous wax carving for a concrete cast. see post https://sandraholleart.blogspot.com/2021/04/drawing-evolved.html The imprint is filled with layers of different coloured clay and then cut back to level On this piece, I added some woven copper wire which I hoped would burn away and leave black traces from the molten copper. burnishing before firing At a so called leather hard stage (when the clay still hasn't fully dried out but isn't anymore ...
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course: When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me. I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
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