In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Experimenting with Clay Models 1
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Also, I feel that making some clay models before going concrete is a good idea.
So headed to the ceramics department yesterday and had the greatest afternoon,
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
As I started to develop doubts whether I would achieve the effect I'm after with my layering method in concrete, I decided to run those tests in clay as shown in the previous post: https://sandraholleart.blogspot.com/2021/04/showing-link-between-ceramics-and.html The fired results led me to making some domed pieces that I can see as sitting forms or wall pieces. Here are some documented steps along the way until I had some very rewarding, silky smooth results. For the pattern to be inlayed in a different colour, I used a mould from a previous wax carving for a concrete cast. see post https://sandraholleart.blogspot.com/2021/04/drawing-evolved.html The imprint is filled with layers of different coloured clay and then cut back to level On this piece, I added some woven copper wire which I hoped would burn away and leave black traces from the molten copper. burnishing before firing At a so called leather hard stage (when the clay still hasn't fully dried out but isn't anymore ...
... And I'm so excited about it. Though I'm not sure if I manage the workload. I usually give myself a lot to do but hopefully I won't be trailing off too much and stay focused. I finished my BA(Hons) in fine art this year and whilst it is all still fresh, I want to pick up where I stopped in June and go into more depth. I'm looking forward to further develop my sculpting skills in concrete, improve my mould making and finishes. Also, I'd like to explore other materials that help me on my mission to produce a body of work that is stimulating the tactile sense and contribute to relaxation and refocusing in the beholder. Here I mostly draw inspiration from my own preferences of how a surface should be textured but I also plan to study other individual's opinions to inform my work and gain a more thorough insight in the nature and relationship between haptic stimulation and brain activity. My forms will be continuously influenced by the imaging of cellular struct...
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