In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Experimenting with Clay Models 1
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Also, I feel that making some clay models before going concrete is a good idea.
So headed to the ceramics department yesterday and had the greatest afternoon,
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course: When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me. I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
I am thrilled about the fact that I found a way to make concrete look delicate and soft rather than fuel what is common about concrete - the invasive, cool, heavy, brutalist and industrial characteristics. In order to determine a shape, I find it helps to model a core in paper pache first. When I add further layers of concrete mixes, both materials form a solid and stable bond. As explained in a previous posts about using fire https://sandraholleart.blogspot.com/2021/05/work-in-progress-so-far-part-three.html I applied this method of using the combustable properties of paper and the staining effects of smoke to the following objects. It enabled me to literally refer to inflammation and the loss of cognitive function as a possible result, e.g. showing as brain fog or vertigo... but also create intriguing visual and tactile results: 1 using a previous hand built bowl as a forma to create a thin paper mache core; 2 adding several layers of concrete mix to both sides; 3 leaving the edges e...
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