In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Images_Assemblage
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These are forms I like and think they are worth going back to when going a bit larger.
Also, I find that here the combination with wire works well.
I'm nearing the date of submission now. For this, I am required to include a demonstration of my thought- and work processes as well as reflective writing, a portfolio to show how my work developed and the actual curated pieces that ideally would make sense as a mini installation. Since I can easily get carried away during my work process and spontaneously add new elements, it's difficult for me to put myself into the shoes of the beholder who might look at my work with fresh eyes and an unoccupied mind whilst I am so deeply involved that I struggle to set priorities. I want to take stock now and put what I want to say against what I am actually saying through the pieces I have created until now: fatigue mood swings imbalance suspension brain fog physical and mental heaviness insecurity invisibility and lack of palpability of MS Initially, I focused on tubular shapes but I can see my work becoming more flexible as the forms become more fluid, organic and rounded.
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course: When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me. I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
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