In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Images_Assemblage
Get link
Facebook
X
Pinterest
Email
Other Apps
-
These are forms I like and think they are worth going back to when going a bit larger.
Also, I find that here the combination with wire works well.
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course: When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me. I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
In a previous post I wrote about using fire in order incorporate empty space into my work. The empty space that encourages us to examine and find out what used to be there in the first place. I applied what I learned by using a blow torch on a concrete test piece as the equivalent to firing away combustable material in the ceramics kiln. https://sandraholleart.blogspot.com/2021/05/exploring-empty-space-using-papermache.html papermache forms in concrete, excess papermache burnt away Now out of the kiln: the "holey" equivalents in clay that served me well before thinking about the concrete approach: Combustable materials (chickpeas, paper, paper mache beads) pushed into the clay to burn away and leave the textured negative spaces After the first firing I accentuated the areas where material had burnt off with oxides such as copper carbonate and manganese which I would try as stains on concrete later examples of texture through burning away and staining with oxides - some of the...
Comments
Post a Comment