In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
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These are forms I like and think they are worth going back to when going a bit larger.
Also, I find that here the combination with wire works well.
All the hard work and planning came together in my, what I call, CALL + RESPONSE exibition. Here is a video tour and some photographs of the event. (please click on link or image) https://vimeo.com/595363643 My special thanks go to Leila Reeves who took the fabulous pics for me!
As I started to develop doubts whether I would achieve the effect I'm after with my layering method in concrete, I decided to run those tests in clay as shown in the previous post: https://sandraholleart.blogspot.com/2021/04/showing-link-between-ceramics-and.html The fired results led me to making some domed pieces that I can see as sitting forms or wall pieces. Here are some documented steps along the way until I had some very rewarding, silky smooth results. For the pattern to be inlayed in a different colour, I used a mould from a previous wax carving for a concrete cast. see post https://sandraholleart.blogspot.com/2021/04/drawing-evolved.html The imprint is filled with layers of different coloured clay and then cut back to level On this piece, I added some woven copper wire which I hoped would burn away and leave black traces from the molten copper. burnishing before firing At a so called leather hard stage (when the clay still hasn't fully dried out but isn't anymore ...
For me, although different materials and processes involved, ceramics and concrete work have common ground. I started off making intuitive clay models which I gave an additional dimension by casting them in concrete. To find my way into my practice MA, I again started off with clay models, clay test tiles, slip decoration and oxides. This helped me to define the direction I would be going and formed the basis of what (and how) I would adapt in concrete. The processes I learned in ceramics work such as hand building, slip casting, slip decoration, burnishing, polishing, dealing with cracks or using oxides are very well adaptable to my concrete work and helped me to create my forms. On the other hand, I use my experiences with concrete to achieve textures and surfaces in clay as well and gained a better understanding of processes for both materials. When a glaze reaction happens in the kiln on a ceramic piece, the same is true for a work in concrete where different ingredients react diff...
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