In this space I will hopefully post regular updates on the development of my work process and findings to produce pieces for my MA in creative practice.
Images_Assemblage
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These are forms I like and think they are worth going back to when going a bit larger.
Also, I find that here the combination with wire works well.
The next step towards creating a fluid, interchangeable sculpture involving concrete tubes and looped wire, was to figure out the best way to model the concrete. Also, I wanted to incorporate what I have figured about the texture I wanted to create on them. Those concrete pieces should be working as individuals as well as in as group (or lined up on wire) 2) and potentially function as tactile objects or even fidgeting tools. 1) 7) I wanted a texture that resembled some sort of fatty tissue (again, as inspired by my interest in nervous tissue) as well as a surface that feels pleasant to the touch. After all, I found in my scientific research, that smooth surfaces trigger the highest readings of pleasant emotions in people. 1) 3) 4) 5) 10) 12) In order to create a surface that is smooth but still has interest both texturally and visually, I found a latex mould that I created from a clay model, worked well. As a supporting shape, I decided to use cardboard tubes from loo rolls. Ligh...
Whilst working with the clay, making these initial tubular forms, I had the idea to continue with small individual pieces that can be assembled into something bigger. These forms would allow me to be flexible in how I would combine them and how many I would want to install as a dynamic sculpture. The clay helped me to get a better picture of what I want to achieve in concrete. produce elements in wire as well. I was inspired by Ruth Asawa's wire art and found a way to make tubular looped wire forms that would work their way through the potential concrete cylinders that I am planning to develop now. I went into detail about Asawa's work in a previous post: https://sandraholleart.blogspot.com/2020/11/ruth-asawa.html Also, through further small studies I realised that those tubular forms, initially inspired by nerves and their protective coating, are a great adaptable, modular foundation with the potential to be scaled up and further interpreted into a bigger body of work. More ...
In order to go a bit more into detail about the cellular environment into which I try to delve, I would like to introduce another "feature" – the nodes of Ranvier *, **: These small interruptions of myelin insulation speed up the submission rate of the neural information to reach from a to b. https://www.verywellhealth.com/myelin-sheath-4129059 I have been exploring wire in particular because of its habit to corrode when exposed to the elements or substances that can accellerate the decline of metal wire, a conductive material. Depending on the metal, the oxidisation/corrosion produces brown rust, vibrant verdigris or turquoise patina, black and red or blue fire scale. To me this chemical reaction resembles the deterioration of nerve tissues as well as offers me some unpredictable visual elements to include in my work. * Carroll, SL (2017). "The Molecular and Morphologic Structures That Make Saltatory Conduction Possible in Peripheral Nerve" . Journal of...
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