Experimenting with Clay Models 2

-

The second firing of my first attempt of a model in clay went well. First, I partially applied copper carbonate powder. I used Parchment Glaze on top in an uneven thickness, hoping to create a ragged effect.


   

the result:








Comments

Post a Comment

Popular posts from this blog

Final Reflective thoughts

-
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course:   When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me.   I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
Read more

more glazing trials on discs

-
Image
Eventually, I would like to achieve textured tiles that I can use to make flexible latex moulds for impressions on future concrete forms. I did further experiments in clay and glaze to bring me nearer to the desired outcome.  Prior to the actual clay work, some drawing exercises: Creating texture with string: sample discs: Glazed after the first firing Results second firing: I used parchment glaze in green and violet, a simple white glaze, red glaze in varying thicknesses and for the dark parts it's manganese that went under the glazes. I like the outcomes as such but think I'm not where i want to be yet in terms of texture. The impressions with string are a start and I will try a mould sample from the disc top left corner to get the reverse effect for a squiggly texture. The sample bottom left looks very intriguing and organic, especially on the right half but feels far too pointy and unpleasant to the touch. All in all, I like how the manganese reacts with the glazes and give...
Read more

A few words about the senses and touch in particular - and emotions

-
The more I am experimenting, researching and thinking about my subject matter, the more apparent my aim becomes. I want my objects to be tempting to touch. I think, the inclination to take something into our hands and explore its surface depends a lot on how appealing it looks. Vision and touch are senses that are connected, integrated. (see sensory integration) If it's 'umami' for the eyes, then we also want confirmation that it feels just as good as it looks. What happens when our vision is betrayed by an incongruous experience when touching the object. Are we disappointed because our expectations through what we saw aren't met through thouching the object? Are we surprised of what we find out when we touch the object? Are we bored, because the object feels exactly how we thought it would after looking at it? There might be a degree of personal preference involved here, as well.   All in all, the interesting thing is, that there are now data available, which suggest t...
Read more