Experimenting with Clay Models 2

-

The second firing of my first attempt of a model in clay went well. First, I partially applied copper carbonate powder. I used Parchment Glaze on top in an uneven thickness, hoping to create a ragged effect.


   

the result:








Comments

Post a Comment

Popular posts from this blog

A few words about the senses and touch in particular - and emotions

-
The more I am experimenting, researching and thinking about my subject matter, the more apparent my aim becomes. I want my objects to be tempting to touch. I think, the inclination to take something into our hands and explore its surface depends a lot on how appealing it looks. Vision and touch are senses that are connected, integrated. (see sensory integration) If it's 'umami' for the eyes, then we also want confirmation that it feels just as good as it looks. What happens when our vision is betrayed by an incongruous experience when touching the object. Are we disappointed because our expectations through what we saw aren't met through thouching the object? Are we surprised of what we find out when we touch the object? Are we bored, because the object feels exactly how we thought it would after looking at it? There might be a degree of personal preference involved here, as well.   All in all, the interesting thing is, that there are now data available, which suggest t...
Read more

Final Reflective thoughts

-
Sandra Holle HOL14245918 August 2021 Reflection and evaluation of my MA / professional practice course:   When I first started a Level 3 course at Hull College school of art and design in 2014, I only wanted professional advice on my painting and to improve my technique. Since then, painting is what I have done the least. What, however, emerged over time, was an understanding of why I do what I do and why it always seems to develop towards a certain direction. During all the projects that I did, there was always a sense of distress, muted colours, imperfections and organic-ness to my work that I have grown fond of. That’s me.   I moved from oils to drawing to school workshops to animation and model making to knitting with upcycled PET to clay and finally seem to have settled with sculpture, mainly in concrete but I also don’t mind the occasional piece of copper on my workbench. These 7/8 years gave me such a wide range of skills and I was well able to feed my curiosity about d...
Read more

Thoughts on presentation

-
Image
It's now also the stage of progress where to spend time on planning the display. I looked of course at the ways of how sculpture is displayed in commercial galleries, that want to sell work and at museums, where work is displayed for the pure enjoyment and appreciation of it. The classic way is of course the cuboidal white plinth with suitable lighting. The versatile, neutral shape and variable height cater for all sorts of objects, brings them to eye level and don't distract from the exhibit but celebrate it. To further elevate the work, there would be more boxy supports stacked on.  When I looked at many of these constructions, I realised they are not build as default stands but tailored to the object, with carefully considered and balanced proportions. I think, often the relationship between the accompanying displays is taken into account. I endeavour to keep these criteria in mind for my display. However, I have to keep in mind certain factors: At this point, I neither know...
Read more