Work in progress so far – part two: Introducing wire

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There are some more important results for me both visually and contextually coming from the use of copper and steel.

This is an example of how I could include the copper and steel wire. It can describe a sense of exposure and vulnerability using empty space.



concrete and copper wire, partly natural build up of verdigris


Trial: combination of clay and steel wire with added copper carbonate

Trial piece after the second firing, showing the emphasised cracks through adding copper carbonate (verdigris) Here the tension shows in a formal way – the clay is forced onto the looped wire bur cracks emerged and some parts broke away. The irregular shapes that emerge as holes are a releasing counterpart.



About wire and metal work, please refer also to those previous posts:

https://sandraholleart.blogspot.com/2020/11/ruth-asawa.html
https://sandraholleart.blogspot.com/2021/01/wire-and-myelin.html
https://sandraholleart.blogspot.com/2021/01/metalwork-foldforming-charles-lewton.html

and to the work of Barbara Hepworth (pieced forms)

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