As I started to develop doubts whether I would achieve the effect I'm after with my layering method in concrete, I decided to run those tests in clay as shown in the previous post: https://sandraholleart.blogspot.com/2021/04/showing-link-between-ceramics-and.html The fired results led me to making some domed pieces that I can see as sitting forms or wall pieces. Here are some documented steps along the way until I had some very rewarding, silky smooth results. For the pattern to be inlayed in a different colour, I used a mould from a previous wax carving for a concrete cast. see post https://sandraholleart.blogspot.com/2021/04/drawing-evolved.html The imprint is filled with layers of different coloured clay and then cut back to level On this piece, I added some woven copper wire which I hoped would burn away and leave black traces from the molten copper. burnishing before firing At a so called leather hard stage (when the clay still hasn't fully dried out but isn't anymore ...
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